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The Phoenix system capabilities are enormous - a single system will cater for up to six keyboards and pedals, 256 pistons, and 256 ranks. Departments do not necessarily need key inputs. Also when applied to a cinema organ , this covers only three departments with double-touch.
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System Capabilities for Sound generation and Stop control |
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Dept. |
Ranks |
Stops |
Audio |
Expr |
Trem |
Midi (Assignable Channel for each dept.) |
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Total |
256 |
256 |
*64 |
In |
Out 1 |
Out 2 |
Expr |
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Pedal |
32 |
32 |
8 |
poss |
recv |
Pre |
Post |
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Great |
48 |
40 |
20 |
poss |
yes |
recv |
Pre |
Post |
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Swell |
48 |
32 |
18 |
yes |
yes |
recv |
Pre |
Post |
sent |
recv |
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Choir |
48 |
24 |
22 |
yes |
yes |
recv |
Pre |
Post |
sent |
recv |
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Solo |
<32 |
24 |
16 |
yes |
yes |
recv |
Pre |
Post |
sent |
recv |
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Fifth |
0 |
20 |
16 |
no |
recv |
Pre |
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Sixth |
0 |
14 |
8 |
no |
recv |
Pre |
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Up to 16 mixture stops can be put anywhere, with up to 10 ranks in each stop, as long as the maximum departmental stops and ranks boundaries are not exceeded. |
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*There is some duplication of audio channels, particularly where the Choir Solo Fifth and Sixth are concerned |
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Coupler Table |
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Sixth to |
Fifth to |
Solo to |
Swell to |
Choir to |
Great to |
Pedal to |
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to Sixth |
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to Fifth |
8 |
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to Solo |
8 |
8 |
16 - 0 - 4 |
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to Swell |
8 |
8 |
16*- 8 - 4* |
16 - 0 - 4 |
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to Choir |
8 |
8 |
16*- 8 - 4* |
16 - 8 - 4 |
16 - 0 - 4 |
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to Great |
8 |
8 |
16*- 8 - 4* |
16 - 8 - 4 |
16 - 8 - 4 |
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AutoBass |
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to Pedal |
8 |
8 |
8 - 4 |
8 - 4 |
8 - 4 |
8 |
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*These couplers are not available separately, but the Solo Oct
& Sub always couple through. |
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Pistons |
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The Piston System can be conveniently divided into two separate and autonomous parts |
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| PART 1 Standard Pistons - these have 8 independant memory levels | |
| 16 | Adjustable Pistons to operate on stops assigned to Group 1 (normally General) |
| 16 | Adjustable Pistons to operate on stops assigned to Group 2 (normally Pedal) |
| 16 | Adjustable Pistons to operate on stops assigned to Group 3 (normally Great) |
| 16 | Adjustable Pistons to operate on stops assigned to Group 4 (normally Swell) |
| 16 | Adjustable Pistons to operate on stops assigned to Group 5 (normally Choir) |
| 16 | Adjustable Pistons to operate on stops assigned to Group 6 (normally Solo) |
| 16 | Adjustable Pistons to operate on stops assigned to Group 7 (normally Fifth) |
| 8 | Adjustable Pistons to operate on stops assigned to Group 8 (normally Sixth) |
| 8 | Adjustable Pistons to operate on stops assigned to Group 9 (any set of stops eg doubles) |
| 8 | Adjustable Pistons to operate on stops assigned to Group 10 (any set of stops eg reeds) |
| 5 | Reverb Time Switch inputs |
| 8 | Transpose -3/+3 & Auto Pedal Switch inputs |
| 8 | Pistons specifically for the left-hand toe pistons which can be set to either Gen 1-8 or Sw 1-8 |
| 32 | Reversible Pistons each of which can be programmed to reverse any stop on the organ |
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SET |
CANCEL |
Global LOCK |
Current Level LOCK |
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Memory Level Up/Down |
Temperament Up |
Spec Up |
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Tuning Up/Down |
Volume Up/Down |
Transpose Up/Down |
Crescendo ON/OFF |
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Reverb Time Up/Down |
Reverb Level Up/Down |
Crescendo Adjust |
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Temperament, Memory and Spec can also be controlled via individual switches or rotary knob |
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Volume, Tuning, Transpose and Reverb can also be controlled by knob |
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PART 2 Sequencer Controlled Pistons with 99 independant memory levels |
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